AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
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Pagina 94
... exhibited by English verse form . A third end may also be served by the present chapter . It suggest the answer to the most pointed objection to our whole scheme . will This objection is simply that we are working backward into the ...
... exhibited by English verse form . A third end may also be served by the present chapter . It suggest the answer to the most pointed objection to our whole scheme . will This objection is simply that we are working backward into the ...
Pagina 137
... exhibiting concretely its own position , length , direction , or sequence of points , thereby defines these same spatial relations as constituents of the plane that it is in , which is made up of such relations . The relations exhibited ...
... exhibiting concretely its own position , length , direction , or sequence of points , thereby defines these same spatial relations as constituents of the plane that it is in , which is made up of such relations . The relations exhibited ...
Pagina 202
... exhibited in various degrees . The critic's standards , in so far as they consist of such qualita- tive criteria , will have as adequate a basis as the extent and the depth of his experience has furnished . But they will function to ...
... exhibited in various degrees . The critic's standards , in so far as they consist of such qualita- tive criteria , will have as adequate a basis as the extent and the depth of his experience has furnished . But they will function to ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic theory apply apprehended artists asthetic attention basic Berkeley Berkeley blank verse CALIFORNIA LIBRARY called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length means Mediant merely musical scale nature notes obvious octave particular perception physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees UNIVERSITY OF CALIFORNIA vibration rate whole words