AEsthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 8
Pagina 94
... the temporal order itself and then to some of the basic temporal patterns
exhibited by English verse form . A third end may also be served by the present
chapter . It will suggest the answer to the most pointed objection to our whole
scheme .
... the temporal order itself and then to some of the basic temporal patterns
exhibited by English verse form . A third end may also be served by the present
chapter . It will suggest the answer to the most pointed objection to our whole
scheme .
Pagina 137
Hence their relation is itself related to all the other relations in the series , and , as
concretely exhibited , becomes necessarily and for direct apprehension a
constituent of a structure when any other such elements are selected and added
to the ...
Hence their relation is itself related to all the other relations in the series , and , as
concretely exhibited , becomes necessarily and for direct apprehension a
constituent of a structure when any other such elements are selected and added
to the ...
Pagina 202
It is equally plain that the standards cited in the history of criticism , when they are
not formal structural characteristics but distinguishable qualitative aspects , are
still remembered qualities discerned \ in other works of art as exhibited in various
...
It is equally plain that the standards cited in the history of criticism , when they are
not formal structural characteristics but distinguishable qualitative aspects , are
still remembered qualities discerned \ in other works of art as exhibited in various
...
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abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspects attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field formal function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less LIBRARY limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure surface systematic taken temporal pattern things tion Tonic UNIVERSITY OF CALIFORNIA variations various verse vibration whole