AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 54
Pagina 6
... experience is directed upon data to serve further purposes , to go through or beyond the ap- pearances to something not immediately appearing ; æsthetic experience rests upon what immediately appears . To put it a little differently ...
... experience is directed upon data to serve further purposes , to go through or beyond the ap- pearances to something not immediately appearing ; æsthetic experience rests upon what immediately appears . To put it a little differently ...
Pagina 57
... experience at all , what Mr. Dewey calls experiences as distinguished from mere vague awareness or bare experience as continuous . And here he agrees with one of the great modern mathe- maticians who has said that the fundamental ...
... experience at all , what Mr. Dewey calls experiences as distinguished from mere vague awareness or bare experience as continuous . And here he agrees with one of the great modern mathe- maticians who has said that the fundamental ...
Pagina 147
... experience is concrete feeling and æsthetic objects are concrete wholes . An experience is æsthetic just so far as it is the full felt response to what is directly given ( though given only on condition that there is the specific ...
... experience is concrete feeling and æsthetic objects are concrete wholes . An experience is æsthetic just so far as it is the full felt response to what is directly given ( though given only on condition that there is the specific ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic theory apply apprehended artists asthetic attention basic Berkeley Berkeley blank verse CALIFORNIA LIBRARY called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length means Mediant merely musical scale nature notes obvious octave particular perception physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees UNIVERSITY OF CALIFORNIA vibration rate whole words