AEsthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 58
Pagina 6
Æsthetic surface is concretely had , directly and fully experienced . It is not merely
distinguished by one of the senses , but felt emotionally in its full present
character . But so far as it is æsthetic content , it is not more than thus directly felt .
Æsthetic surface is concretely had , directly and fully experienced . It is not merely
distinguished by one of the senses , but felt emotionally in its full present
character . But so far as it is æsthetic content , it is not more than thus directly felt .
Pagina 7
it a little differently , the æsthetic aspect of experience is that in which , instead of
employing the qualitative surface as a ... And it is plain that this aspect of our
experienced world may range from being dominant , absorbing , and almost
totally ...
it a little differently , the æsthetic aspect of experience is that in which , instead of
employing the qualitative surface as a ... And it is plain that this aspect of our
experienced world may range from being dominant , absorbing , and almost
totally ...
Pagina 57
we use to abstract aspects of experience in a way that appears at once to be
unambiguous and to serve the purposes of the sort of knowledge that we seek by
indicating relevant distinctions for æsthetics . No concrete experience is totally ...
we use to abstract aspects of experience in a way that appears at once to be
unambiguous and to serve the purposes of the sort of knowledge that we seek by
indicating relevant distinctions for æsthetics . No concrete experience is totally ...
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abstract accent actual adequate æsthetic analysis appears apply apprehended artists aspects attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field formal function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less LIBRARY limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure surface systematic taken temporal pattern things tion Tonic UNIVERSITY OF CALIFORNIA variations various verse vibration whole