AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
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Pagina 29
... expression in a sense of the word that should become plain before we finish , and expression in art involves communication . But what is readily communicated is never the feelings and ideas of great men of other centuries , but the ...
... expression in a sense of the word that should become plain before we finish , and expression in art involves communication . But what is readily communicated is never the feelings and ideas of great men of other centuries , but the ...
Pagina 141
... expression of mere means to larger ends in more comprehensive works , but necessary to these new works as an adaptation of material and medium through technique to further ends felt as demanding such fresh means . Some of the work of ...
... expression of mere means to larger ends in more comprehensive works , but necessary to these new works as an adaptation of material and medium through technique to further ends felt as demanding such fresh means . Some of the work of ...
Pagina 159
... expression . The lack of the former is fatal to æsthetic adequacy ; the possession of the latter is , for purposes of representation , often just as satis- factory as artistic genius . And once art is turned to ulterior purposes ...
... expression . The lack of the former is fatal to æsthetic adequacy ; the possession of the latter is , for purposes of representation , often just as satis- factory as artistic genius . And once art is turned to ulterior purposes ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic theory apply apprehended artists asthetic attention basic Berkeley Berkeley blank verse CALIFORNIA LIBRARY called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length means Mediant merely musical scale nature notes obvious octave particular perception physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees UNIVERSITY OF CALIFORNIA vibration rate whole words