AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 13
Pagina 117
... expressiveness of poetry . In fact the usual procedure is to dispose of the form as if it were not ex- pressive but ... expressive power of verse as distinguished from prose . If our present scheme fails to exhibit this structural form ...
... expressiveness of poetry . In fact the usual procedure is to dispose of the form as if it were not ex- pressive but ... expressive power of verse as distinguished from prose . If our present scheme fails to exhibit this structural form ...
Pagina 127
... expressive , though a little sweeter and tenderer for the simple flowing tune , the indulgence in a much slower rate than that of the words as they would be spoken , loses this very effect of words at their natural spoken rate . This ...
... expressive , though a little sweeter and tenderer for the simple flowing tune , the indulgence in a much slower rate than that of the words as they would be spoken , loses this very effect of words at their natural spoken rate . This ...
Pagina 188
... expressive character , ex- cept as such constituents do or do not serve to fulfill and specify the artist's individual intention . And the form of the whole , if the work of art is genuinely expressive of anything original , that is ...
... expressive character , ex- cept as such constituents do or do not serve to fulfill and specify the artist's individual intention . And the form of the whole , if the work of art is genuinely expressive of anything original , that is ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic theory apply apprehended artists asthetic attention basic Berkeley Berkeley blank verse CALIFORNIA LIBRARY called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length means Mediant merely musical scale nature notes obvious octave particular perception physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees UNIVERSITY OF CALIFORNIA vibration rate whole words