AEsthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 13
Pagina 117
... except in the most general way , their account of verse had anything to do with
the specific expressiveness of poetry . ... were not expressive but had a character
distinct and even separate from the intention expressed in the words , instead of ...
... except in the most general way , their account of verse had anything to do with
the specific expressiveness of poetry . ... were not expressive but had a character
distinct and even separate from the intention expressed in the words , instead of ...
Pagina 127
That is , instead of being directly expressive , though a little sweeter and tenderer
for the simple flowing tune , the indulgence in a much slower rate than that of the
words as they would be spoken , loses this very effect of words at their natural ...
That is , instead of being directly expressive , though a little sweeter and tenderer
for the simple flowing tune , the indulgence in a much slower rate than that of the
words as they would be spoken , loses this very effect of words at their natural ...
Pagina 188
But whether or not a work of art uses one or another sort of constituent pattern ,
has little to do with its expressive character , except as such constituents do or do
not serve to fulfill and specify the artist ' s individual intention . And the form of the
...
But whether or not a work of art uses one or another sort of constituent pattern ,
has little to do with its expressive character , except as such constituents do or do
not serve to fulfill and specify the artist ' s individual intention . And the form of the
...
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Parole e frasi comuni
abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspects attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field formal function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less LIBRARY limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure surface systematic taken temporal pattern things tion Tonic UNIVERSITY OF CALIFORNIA variations various verse vibration whole