AEsthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 47
Pagina 86
... is before us , so far we lose the ęsthetic character of that which , before it
became so familiar , took our attention in a response the object of which was
clearly realized and emotionally felt ęsthetic surface , a fully present
consummation .
... is before us , so far we lose the ęsthetic character of that which , before it
became so familiar , took our attention in a response the object of which was
clearly realized and emotionally felt ęsthetic surface , a fully present
consummation .
Pagina 157
all as strictly geometrical , while it is quite thoroughly apprehensible as the
familiar shape of the human body . The content , then , when we are presented
with such shapes , natural or useful , is directly seen and felt as these familiar
things , or ...
all as strictly geometrical , while it is quite thoroughly apprehensible as the
familiar shape of the human body . The content , then , when we are presented
with such shapes , natural or useful , is directly seen and felt as these familiar
things , or ...
Pagina 181
... in this sense intelligible as an object of attention , the term familiar - - ity is
perhaps more instructive than these others . ... sense nothing perceived would
lack some form or other — but pattern or form that is familiar enough to be
grasped by ...
... in this sense intelligible as an object of attention , the term familiar - - ity is
perhaps more instructive than these others . ... sense nothing perceived would
lack some form or other — but pattern or form that is familiar enough to be
grasped by ...
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abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspects attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field formal function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less LIBRARY limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure surface systematic taken temporal pattern things tion Tonic UNIVERSITY OF CALIFORNIA variations various verse vibration whole