AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 48
Pagina 145
... feeling , how it can be actual feeling that art expresses , we arrive at the supposed miracle that art is so often said to be , the embodiment of spirit in matter . But thinking can have no intercourse with miracles . And since the ...
... feeling , how it can be actual feeling that art expresses , we arrive at the supposed miracle that art is so often said to be , the embodiment of spirit in matter . But thinking can have no intercourse with miracles . And since the ...
Pagina 151
... feeling ex- perienced , but a welter of successive transitory feelings only very slightly defined separately and not integrated into any one defined object of attention . We get relief from such a condition in mild cases by physical ...
... feeling ex- perienced , but a welter of successive transitory feelings only very slightly defined separately and not integrated into any one defined object of attention . We get relief from such a condition in mild cases by physical ...
Pagina 155
... feeling , consciously requiring this embodiment to become com- pletely and intelligibly any feeling at all , to become the in- tended full feeling only suggested in the artist's processes of experience and not defined until he has ...
... feeling , consciously requiring this embodiment to become com- pletely and intelligibly any feeling at all , to become the in- tended full feeling only suggested in the artist's processes of experience and not defined until he has ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic theory apply apprehended artists asthetic attention basic Berkeley Berkeley blank verse CALIFORNIA LIBRARY called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length means Mediant merely musical scale nature notes obvious octave particular perception physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees UNIVERSITY OF CALIFORNIA vibration rate whole words