AEsthetic Analysis |
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Risultati 1-3 di 47
Pagina 9
When the heightening is emphatic ; when the aim of the experiencing activity is
felt to be achieved in a vital process of receiving ; when , to use Mr . Dewey ' s
own terms , our doing has its own felt consummation , comes to its own realized ...
When the heightening is emphatic ; when the aim of the experiencing activity is
felt to be achieved in a vital process of receiving ; when , to use Mr . Dewey ' s
own terms , our doing has its own felt consummation , comes to its own realized ...
Pagina 100
mer they may in various ways be imaged representatively in memory or abstractly
conceived . But for direct apprehension neither season after season , nor day
after day , nor death after life , is a literally felt recurrence of temporal interval , not
...
mer they may in various ways be imaged representatively in memory or abstractly
conceived . But for direct apprehension neither season after season , nor day
after day , nor death after life , is a literally felt recurrence of temporal interval , not
...
Pagina 199
profundity , clarity , and so on indefinitely through a thousand familiar epithets ,
are used to name as well as may be some general character not primarily of
structure but of the felt qualitative nature of the whole . And the most resounding
and ...
profundity , clarity , and so on indefinitely through a thousand familiar epithets ,
are used to name as well as may be some general character not primarily of
structure but of the felt qualitative nature of the whole . And the most resounding
and ...
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abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspects attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field formal function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less LIBRARY limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure surface systematic taken temporal pattern things tion Tonic UNIVERSITY OF CALIFORNIA variations various verse vibration whole