AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 47
Pagina 9
... felt to be achieved in a vital process of receiv- ing ; when , to use Mr. Dewey's own terms , our doing has its own felt consummation , comes to its own realized fruition , not beyond the immediately present but in a direct undergoing ...
... felt to be achieved in a vital process of receiv- ing ; when , to use Mr. Dewey's own terms , our doing has its own felt consummation , comes to its own realized fruition , not beyond the immediately present but in a direct undergoing ...
Pagina 100
... felt as definite durations , recognizable , rememberable , felt temporal lengths . For any temporal pattern at all , then , we require a relatively short measure , indicated to attention at both ends , and so involving its own ...
... felt as definite durations , recognizable , rememberable , felt temporal lengths . For any temporal pattern at all , then , we require a relatively short measure , indicated to attention at both ends , and so involving its own ...
Pagina 199
... felt structural character , sometimes naming a quality felt at some time by some critic to be the key to all that is fine or great in art . If the terms used have a disparaging force , they in- dicate a more or less condemnatory ...
... felt structural character , sometimes naming a quality felt at some time by some critic to be the key to all that is fine or great in art . If the terms used have a disparaging force , they in- dicate a more or less condemnatory ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic theory apply apprehended artists asthetic attention basic Berkeley Berkeley blank verse CALIFORNIA LIBRARY called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length means Mediant merely musical scale nature notes obvious octave particular perception physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees UNIVERSITY OF CALIFORNIA vibration rate whole words