AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 21
Pagina 54
... formal nature in the same way from sound and color , these latter become purely formal too . It is the lack of full attention to what we mean by color contrast itself , as distinguished from the spatial presentation of such con- trast ...
... formal nature in the same way from sound and color , these latter become purely formal too . It is the lack of full attention to what we mean by color contrast itself , as distinguished from the spatial presentation of such con- trast ...
Pagina 91
... acquaintance with nature and human products as well as the cultiva- tion of the arts brings about , would be theoretical grasp , recognition of technical elements , formal principles and abstract patterns NATURAL BASIC STRUCTURES 91.
... acquaintance with nature and human products as well as the cultiva- tion of the arts brings about , would be theoretical grasp , recognition of technical elements , formal principles and abstract patterns NATURAL BASIC STRUCTURES 91.
Pagina 109
... formal characteristics , susceptible by its very nature of exhibiting connection , pattern , and mean- ing in history , in daily life , in all occurrences , and hence in the occurrent sounds of music and verse . In fact time itself is ...
... formal characteristics , susceptible by its very nature of exhibiting connection , pattern , and mean- ing in history , in daily life , in all occurrences , and hence in the occurrent sounds of music and verse . In fact time itself is ...
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absolute pitch abstract accent acquaintance actual adequate ęsthetic analysis ęsthetic content ęsthetic objects ęsthetic theory apply apprehended artists asthetic attention basic Berkeley Berkeley blank verse CALIFORNIA LIBRARY called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length means Mediant merely musical scale nature notes obvious octave particular perception physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees UNIVERSITY OF CALIFORNIA vibration rate whole words