AEsthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 21
Pagina 54
Space and time have become purely formal as we have realized their
abstractness in systematic analysis . There are no real but only nominal elements
of space and time . But it takes very little meditation on the nature of pitch and hue
to see ...
Space and time have become purely formal as we have realized their
abstractness in systematic analysis . There are no real but only nominal elements
of space and time . But it takes very little meditation on the nature of pitch and hue
to see ...
Pagina 77
The Dominant is not so final as the Tonic , nor so urgent in requiring us to move
to another pitch as is the second , for example ; and the seventh calls so definitely
for the Tonic that it requires no formal musical training at all to feel this demand .
The Dominant is not so final as the Tonic , nor so urgent in requiring us to move
to another pitch as is the second , for example ; and the seventh calls so definitely
for the Tonic that it requires no formal musical training at all to feel this demand .
Pagina 109
For the totally non - structural is the totally formless , unacceptable to
apprehension , inconceivable , not merely unreliable , but unthinkable . The
temporal aspect of our world , on the contrary , is one of its most elementary
formal characteristics ...
For the totally non - structural is the totally formless , unacceptable to
apprehension , inconceivable , not merely unreliable , but unthinkable . The
temporal aspect of our world , on the contrary , is one of its most elementary
formal characteristics ...
Cosa dicono le persone - Scrivi una recensione
Nessuna recensione trovata nei soliti posti.
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspects attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field formal function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less LIBRARY limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure surface systematic taken temporal pattern things tion Tonic UNIVERSITY OF CALIFORNIA variations various verse vibration whole