AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
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Pagina 94
... function in Mr. Birkhoff's æsthetic theory . But the Birkhoff analysis of polygons and the ex- amples of basic spatial patterns suggested in the preced- ing chapter sufficiently illustrate the fundamental nature and importance of the ...
... function in Mr. Birkhoff's æsthetic theory . But the Birkhoff analysis of polygons and the ex- amples of basic spatial patterns suggested in the preced- ing chapter sufficiently illustrate the fundamental nature and importance of the ...
Pagina 145
... function in the pursuit of theory - and notice what language expresses in its more strictly literary function , particularly in poetry , we find that this is feeling or emotion presented as the qualitative character of imaginal content ...
... function in the pursuit of theory - and notice what language expresses in its more strictly literary function , particularly in poetry , we find that this is feeling or emotion presented as the qualitative character of imaginal content ...
Pagina 147
... function of themselves but as em- ployed by the organic mind , and which do not function separately from one another . With no response , no direct- ing interest and attention , nothing is given at all , as we saw clearly at the ...
... function of themselves but as em- ployed by the organic mind , and which do not function separately from one another . With no response , no direct- ing interest and attention , nothing is given at all , as we saw clearly at the ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic theory apply apprehended artists asthetic attention basic Berkeley Berkeley blank verse CALIFORNIA LIBRARY called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length means Mediant merely musical scale nature notes obvious octave particular perception physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees UNIVERSITY OF CALIFORNIA vibration rate whole words