AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 29
Pagina 28
... grasp the spiritual essence thus mysteriously made available . But if so , then mere human knowledge , with all the training and develop- ment that it requires except in the case of those special proclivities and abilities that are ...
... grasp the spiritual essence thus mysteriously made available . But if so , then mere human knowledge , with all the training and develop- ment that it requires except in the case of those special proclivities and abilities that are ...
Pagina 31
... grasp in this broad qualitative field . Æsthetics will no more teach us how to write poetry than how to build houses . But it may teach us something of what it is that we hear in music or see in buildings or enjoy in our own everyday ...
... grasp in this broad qualitative field . Æsthetics will no more teach us how to write poetry than how to build houses . But it may teach us something of what it is that we hear in music or see in buildings or enjoy in our own everyday ...
Pagina 39
... grasp pitch relations . The of them at the minimum appears to be per- ) grasp ception , not conceptual understanding . But the difference between perceiving clearly and understanding distinctly is not the great difference that we are ...
... grasp pitch relations . The of them at the minimum appears to be per- ) grasp ception , not conceptual understanding . But the difference between perceiving clearly and understanding distinctly is not the great difference that we are ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic theory apply apprehended artists asthetic attention basic Berkeley Berkeley blank verse CALIFORNIA LIBRARY called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length means Mediant merely musical scale nature notes obvious octave particular perception physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees UNIVERSITY OF CALIFORNIA vibration rate whole words