AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 14
Pagina 106
... grouping of them into larger temporal units . Our next question is as to what in nature gives merely measures of certain lengths , but acceptable pat- terns of the subdivision of measures and of their grouping . And it is clear that ...
... grouping of them into larger temporal units . Our next question is as to what in nature gives merely measures of certain lengths , but acceptable pat- terns of the subdivision of measures and of their grouping . And it is clear that ...
Pagina 117
... grouping into lines of so many feet is not a grouping of measures . The counted number of feet as constituted solely of syllables , instead of being made up in part of time unfilled by any sound , is so completely artificial a ...
... grouping into lines of so many feet is not a grouping of measures . The counted number of feet as constituted solely of syllables , instead of being made up in part of time unfilled by any sound , is so completely artificial a ...
Pagina 132
... grouping of the parts of the stanza into two . For if the division depended on the rhyme , there would be no more reason for dividing the stanza into the two so - called fourteeners than for the division into four lines . Without the ...
... grouping of the parts of the stanza into two . For if the division depended on the rhyme , there would be no more reason for dividing the stanza into the two so - called fourteeners than for the division into four lines . Without the ...
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absolute pitch abstract accent acquaintance actual adequate ęsthetic analysis ęsthetic content ęsthetic objects ęsthetic theory apply apprehended artists asthetic attention basic Berkeley Berkeley blank verse CALIFORNIA LIBRARY called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length means Mediant merely musical scale nature notes obvious octave particular perception physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees UNIVERSITY OF CALIFORNIA vibration rate whole words