AEsthetic Analysis |
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Risultati 1-3 di 11
Pagina 106
Accent , then , is the chief means of indicating temporal measure in English verse
as well as the subdivision and the grouping of measures . It is the means used ,
that is , to mark off into measured and thus temporally related intervals what ...
Accent , then , is the chief means of indicating temporal measure in English verse
as well as the subdivision and the grouping of measures . It is the means used ,
that is , to mark off into measured and thus temporally related intervals what ...
Pagina 117
The very units called feet are in English very seldom integral divisions of the
measures ; and the further grouping into lines of so many feet is not a grouping of
measures . The counted number of feet as constituted solely of syllables , instead
of ...
The very units called feet are in English very seldom integral divisions of the
measures ; and the further grouping into lines of so many feet is not a grouping of
measures . The counted number of feet as constituted solely of syllables , instead
of ...
Pagina 132
... gives us two regular measures of six counts to the line , grouped as follows :
bid me to live and will live Tảy Protes tant to ... the rests marking off the main
pause in the rhythmical phrasing , and serving as the sole indication of this
grouping of ...
... gives us two regular measures of six counts to the line , grouped as follows :
bid me to live and will live Tảy Protes tant to ... the rests marking off the main
pause in the rhythmical phrasing , and serving as the sole indication of this
grouping of ...
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abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspects attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field formal function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less LIBRARY limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure surface systematic taken temporal pattern things tion Tonic UNIVERSITY OF CALIFORNIA variations various verse vibration whole