AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 34
Pagina 137
... Hence their relation is itself related to all the other relations in the series , and , as concretely exhibited , becomes necessarily and for direct apprehension a constituent of a structure when any other such elements are selected and ...
... Hence their relation is itself related to all the other relations in the series , and , as concretely exhibited , becomes necessarily and for direct apprehension a constituent of a structure when any other such elements are selected and ...
Pagina 143
... Hence its emo- tional character , its feeling , that is , the way it feels to us , is no less genuinely " objective " than its colors or its sounds , its shapes , its hardness , its presented spread and size ; hence also no less ...
... Hence its emo- tional character , its feeling , that is , the way it feels to us , is no less genuinely " objective " than its colors or its sounds , its shapes , its hardness , its presented spread and size ; hence also no less ...
Pagina 203
... Hence most of the clearly intelligible terms in both analysis and criticism refer as definitely to matters of me- dium and technique as to strictly ęsthetic content . The ęsthetic content , occurring as it does only upon a medium ...
... Hence most of the clearly intelligible terms in both analysis and criticism refer as definitely to matters of me- dium and technique as to strictly ęsthetic content . The ęsthetic content , occurring as it does only upon a medium ...
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absolute pitch abstract accent acquaintance actual adequate ęsthetic analysis ęsthetic content ęsthetic objects ęsthetic theory apply apprehended artists asthetic attention basic Berkeley Berkeley blank verse CALIFORNIA LIBRARY called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length means Mediant merely musical scale nature notes obvious octave particular perception physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees UNIVERSITY OF CALIFORNIA vibration rate whole words