AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 42
Pagina 24
... human limita- tion , unless knowledge itself is to be considered a human limitation . Being everywhere at once and seeing and under- standing everything from every possible point of view , so that one's object is literally everything in ...
... human limita- tion , unless knowledge itself is to be considered a human limitation . Being everywhere at once and seeing and under- standing everything from every possible point of view , so that one's object is literally everything in ...
Pagina 61
... human organisms is very great indeed . For this world was not created , after all , under the guidance of human purposes so as to be transparently intelligible to men . But this great difficulty should not blind us to the satisfaction ...
... human organisms is very great indeed . For this world was not created , after all , under the guidance of human purposes so as to be transparently intelligible to men . But this great difficulty should not blind us to the satisfaction ...
Pagina 89
... human arms in general to the height of human beings in general , within the propor- tions , that is , of a defined norm . The proportions in the Greek canon were not those of the Egyptian canon . Polyclitus , whose lance - bearer was ...
... human arms in general to the height of human beings in general , within the propor- tions , that is , of a defined norm . The proportions in the Greek canon were not those of the Egyptian canon . Polyclitus , whose lance - bearer was ...
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absolute pitch abstract accent acquaintance actual adequate ęsthetic analysis ęsthetic content ęsthetic objects ęsthetic theory apply apprehended artists asthetic attention basic Berkeley Berkeley blank verse CALIFORNIA LIBRARY called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length means Mediant merely musical scale nature notes obvious octave particular perception physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees UNIVERSITY OF CALIFORNIA vibration rate whole words