AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 3
Pagina 118
... iambic pentameter and ballad metre . But we have a difficulty to overcome at the very beginning which is almost impos- sible to dispose of by mere written discussion . We should have actually to recite the verse aloud , that is , if we ...
... iambic pentameter and ballad metre . But we have a difficulty to overcome at the very beginning which is almost impos- sible to dispose of by mere written discussion . We should have actually to recite the verse aloud , that is , if we ...
Pagina 129
... iambic pentameter . If metre is the measure of anything at all , it is the measure of some aspect of rhythm , and the term iambic and the term pentameter describe no aspect whatever of the rhythm of blank verse lines . That rhythm has ...
... iambic pentameter . If metre is the measure of anything at all , it is the measure of some aspect of rhythm , and the term iambic and the term pentameter describe no aspect whatever of the rhythm of blank verse lines . That rhythm has ...
Pagina 209
... Iambic pentameter , 122 Individuality , 187 Intelligible , The , Ch . V , 41 , 78 , 85 ; the familiar as , 88 , 156 , 181 Interest , 6 , 182 Knowledge , 11 , 23 , 30 , 39 , 62 , 111 , 173 , 196 Language , 92 , 144 , 148 ; beyond the ...
... Iambic pentameter , 122 Individuality , 187 Intelligible , The , Ch . V , 41 , 78 , 85 ; the familiar as , 88 , 156 , 181 Interest , 6 , 182 Knowledge , 11 , 23 , 30 , 39 , 62 , 111 , 173 , 196 Language , 92 , 144 , 148 ; beyond the ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic theory apply apprehended artists asthetic attention basic Berkeley Berkeley blank verse CALIFORNIA LIBRARY called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length means Mediant merely musical scale nature notes obvious octave particular perception physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees UNIVERSITY OF CALIFORNIA vibration rate whole words