AEsthetic Analysis |
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Pagina 40
And it would be impossible to generalize were not the particular elements so
related , in definitely indicated ways , that our scheme of them may represent the
discerned order of their actual nature and therefore be directed upon their actual
...
And it would be impossible to generalize were not the particular elements so
related , in definitely indicated ways , that our scheme of them may represent the
discerned order of their actual nature and therefore be directed upon their actual
...
Pagina 107
In musical notation , where the indicated divisions of time are relative ( a half -
note half the time of a whole - note , a quarter - note half of a half - note , and so
on ) , a quick measure is often indicated by writing a time signature as so many ...
In musical notation , where the indicated divisions of time are relative ( a half -
note half the time of a whole - note , a quarter - note half of a half - note , and so
on ) , a quick measure is often indicated by writing a time signature as so many ...
Pagina 108
And not all of the conventions , though they may be musically significant in
various traditional ways , indicate clearly anything ... Some particular measure
must be indicated and some subdivision of it , not merely by the notation but to
the ear .
And not all of the conventions , though they may be musically significant in
various traditional ways , indicate clearly anything ... Some particular measure
must be indicated and some subdivision of it , not merely by the notation but to
the ear .
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abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspects attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field formal function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less LIBRARY limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure surface systematic taken temporal pattern things tion Tonic UNIVERSITY OF CALIFORNIA variations various verse vibration whole