AEsthetic Analysis |
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Pagina 88
And these useful forms , like naturally suggested forms , are immediately
intelligible as forms , once we have become familiar with them in their uses . An
ordinary spoon goes far beyond the geometry at the disposal of most of us . From
the a ...
And these useful forms , like naturally suggested forms , are immediately
intelligible as forms , once we have become familiar with them in their uses . An
ordinary spoon goes far beyond the geometry at the disposal of most of us . From
the a ...
Pagina 97
Verse also varies in rate ; but only within the relatively narrow conventional limits
of intelligible speech . For verse is after all only a mode of intelligible speech .
And while definite changes in tempo change the whole feeling of a piece of
music ...
Verse also varies in rate ; but only within the relatively narrow conventional limits
of intelligible speech . For verse is after all only a mode of intelligible speech .
And while definite changes in tempo change the whole feeling of a piece of
music ...
Pagina 203
Hence most of the clearly intelligible terms in both analysis and criticism refer as
definitely to matters of medium and technique as to strictly ęsthetic content . The
ęsthetic content , occurring as it does only upon a medium technically used ...
Hence most of the clearly intelligible terms in both analysis and criticism refer as
definitely to matters of medium and technique as to strictly ęsthetic content . The
ęsthetic content , occurring as it does only upon a medium technically used ...
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abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspects attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field formal function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less LIBRARY limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure surface systematic taken temporal pattern things tion Tonic UNIVERSITY OF CALIFORNIA variations various verse vibration whole