AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
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Pagina 88
... intelligible as forms , once we have become familiar with them in their uses . An ordinary spoon goes far be- yond the geometry at the disposal of most of us . From the a priori geometrical standpoint it is a highly complex and ...
... intelligible as forms , once we have become familiar with them in their uses . An ordinary spoon goes far be- yond the geometry at the disposal of most of us . From the a priori geometrical standpoint it is a highly complex and ...
Pagina 97
... intelligible speech . For verse is after all only mode of intelligible speech . And while definite changes in tempo change the whole feeling of a piece of music and the effective character of its rhythm , the slighter changes possible ...
... intelligible speech . For verse is after all only mode of intelligible speech . And while definite changes in tempo change the whole feeling of a piece of music and the effective character of its rhythm , the slighter changes possible ...
Pagina 203
... intelligible terms in both analysis and criticism refer as definitely to matters of me- dium and technique as to strictly æsthetic content . The æsthetic content , occurring as it does only upon a medium technically used , used that is ...
... intelligible terms in both analysis and criticism refer as definitely to matters of me- dium and technique as to strictly æsthetic content . The æsthetic content , occurring as it does only upon a medium technically used , used that is ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic theory apply apprehended artists asthetic attention basic Berkeley Berkeley blank verse CALIFORNIA LIBRARY called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length means Mediant merely musical scale nature notes obvious octave particular perception physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees UNIVERSITY OF CALIFORNIA vibration rate whole words