AEsthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 9
Pagina 5
... mode of appearance , but qualities concretely had . Not a hue at no specific
intensity , or a hue of specific intensity without spatial spread or temporal duration
; but the red ot of this rose or of this structural steel of THE FIELD OF ÆSTHETICS
5.
... mode of appearance , but qualities concretely had . Not a hue at no specific
intensity , or a hue of specific intensity without spatial spread or temporal duration
; but the red ot of this rose or of this structural steel of THE FIELD OF ÆSTHETICS
5.
Pagina 47
Loudness and softness in sounds , the dimension called their intensity , may be
said to be paralleled by intensity in smells or tastes ; but only very roughly even
for our perception . And our control over the production of smells for example , for
...
Loudness and softness in sounds , the dimension called their intensity , may be
said to be paralleled by intensity in smells or tastes ; but only very roughly even
for our perception . And our control over the production of smells for example , for
...
Pagina 200
one another , English novels vary greatly in emotional intensity , and the term
would be positively applicable instead of negatively . The application of this term
intense , then , amounts to a comparison of the quality of one thing with that of ...
one another , English novels vary greatly in emotional intensity , and the term
would be positively applicable instead of negatively . The application of this term
intense , then , amounts to a comparison of the quality of one thing with that of ...
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abstract accent actual adequate æsthetic analysis appears apply apprehended artists aspects attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field formal function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less LIBRARY limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure surface systematic taken temporal pattern things tion Tonic UNIVERSITY OF CALIFORNIA variations various verse vibration whole