AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 40
Pagina 74
... intervals of our scale . If is do , % is re , 4 mi , and so through the eight degrees . And the 1 % was for a long time , as we noted above ... intervals , that intervals may be differently related and grouped , that 74 ÆSTHETIC ANALYSIS.
... intervals of our scale . If is do , % is re , 4 mi , and so through the eight degrees . And the 1 % was for a long time , as we noted above ... intervals , that intervals may be differently related and grouped , that 74 ÆSTHETIC ANALYSIS.
Pagina 75
David Wight Prall. that intervals may be differently related and grouped , that smaller or larger intervals exclusively would serve the pur- poses of melody and hence of harmony ( any two notes at a given melodic interval necessarily ...
David Wight Prall. that intervals may be differently related and grouped , that smaller or larger intervals exclusively would serve the pur- poses of melody and hence of harmony ( any two notes at a given melodic interval necessarily ...
Pagina 80
... intervals from one another . But these are only special incidental musical effects . Such directional movement without definitely fixed and clearly felt intervals is much more characteristic in the spreading of color over an area than ...
... intervals from one another . But these are only special incidental musical effects . Such directional movement without definitely fixed and clearly felt intervals is much more characteristic in the spreading of color over an area than ...
Altre edizioni - Visualizza tutto
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic theory apply apprehended artists asthetic attention basic Berkeley Berkeley blank verse CALIFORNIA LIBRARY called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length means Mediant merely musical scale nature notes obvious octave particular perception physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees UNIVERSITY OF CALIFORNIA vibration rate whole words