AEsthetic Analysis |
Dall'interno del libro
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Pagina 74
With the exception of 16 , these are the actual ratios of the vibration rates of the
pitches marking the intervals of our scale . ... as we · noted above , an equally
acceptable alternative to 158 , which establishes the interval of the major seventh
.
With the exception of 16 , these are the actual ratios of the vibration rates of the
pitches marking the intervals of our scale . ... as we · noted above , an equally
acceptable alternative to 158 , which establishes the interval of the major seventh
.
Pagina 75
David Wight Prall. that intervals may be differently related and grouped , that
smaller or larger intervals exclusively would serve the purposes of melody and
hence of harmony ( any two notes at a given melodic interval necessarily define
that ...
David Wight Prall. that intervals may be differently related and grouped , that
smaller or larger intervals exclusively would serve the purposes of melody and
hence of harmony ( any two notes at a given melodic interval necessarily define
that ...
Pagina 80
interval patterns in pitch , so pitch patterns are only one among many varieties of
standard patterns in the arts . ... intrinsic color orders , and variations memorized
as at definite color intervals from one another , in specified color dimensions .
interval patterns in pitch , so pitch patterns are only one among many varieties of
standard patterns in the arts . ... intrinsic color orders , and variations memorized
as at definite color intervals from one another , in specified color dimensions .
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abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspects attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field formal function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less LIBRARY limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure surface systematic taken temporal pattern things tion Tonic UNIVERSITY OF CALIFORNIA variations various verse vibration whole