AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 24
Pagina 55
... intrinsically ordered and also ordered spatially and temporally . The temporal cannot be present except as it attaches itself to what is qualitatively and spatially ... intrinsic to color . We have spoken of THE BASIS OF ESTHETIC ANALYSIS 55.
... intrinsically ordered and also ordered spatially and temporally . The temporal cannot be present except as it attaches itself to what is qualitatively and spatially ... intrinsic to color . We have spoken of THE BASIS OF ESTHETIC ANALYSIS 55.
Pagina 56
... intrinsic to sound and color than spatial or temporal order ? And why , if we are to be rigorous , are temporal and spatial order any more intrinsic to spatial and temporal elements than the qualitative orders , since only as qualitied ...
... intrinsic to sound and color than spatial or temporal order ? And why , if we are to be rigorous , are temporal and spatial order any more intrinsic to spatial and temporal elements than the qualitative orders , since only as qualitied ...
Pagina 184
... intrinsic relations and their structural possibilities , he cannot even be controlling the ęsthetic structure he makes . For these relations , being intrinsic to the elements , will of necessity appear in his work and make up its actual ...
... intrinsic relations and their structural possibilities , he cannot even be controlling the ęsthetic structure he makes . For these relations , being intrinsic to the elements , will of necessity appear in his work and make up its actual ...
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absolute pitch abstract accent acquaintance actual adequate ęsthetic analysis ęsthetic content ęsthetic objects ęsthetic theory apply apprehended artists asthetic attention basic Berkeley Berkeley blank verse CALIFORNIA LIBRARY called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length means Mediant merely musical scale nature notes obvious octave particular perception physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees UNIVERSITY OF CALIFORNIA vibration rate whole words