AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 42
Pagina 24
David Wight Prall. Knowledge must be relatively determinate in order to be knowledge at all . Omniscience is , if one stops to try and fathom its meaning , a hopelessly absurd notion , a logical impossibility . The lack of it is not a ...
David Wight Prall. Knowledge must be relatively determinate in order to be knowledge at all . Omniscience is , if one stops to try and fathom its meaning , a hopelessly absurd notion , a logical impossibility . The lack of it is not a ...
Pagina 62
... Knowledge in general is only very slightly made up of fully articulated imaginal content of this sort . But for all that , knowledge is knowledge at all only as it is conscious or unconscious adaptation by way of such coherent schemes ...
... Knowledge in general is only very slightly made up of fully articulated imaginal content of this sort . But for all that , knowledge is knowledge at all only as it is conscious or unconscious adaptation by way of such coherent schemes ...
Pagina 177
... knowledge of the organic conditions of the response and a complete knowledge of all that there is to respond to , whether in- side the organism or outside it . But so far as æsthetics goes analytically , there is no a priori reason why ...
... knowledge of the organic conditions of the response and a complete knowledge of all that there is to respond to , whether in- side the organism or outside it . But so far as æsthetics goes analytically , there is no a priori reason why ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic theory apply apprehended artists asthetic attention basic Berkeley Berkeley blank verse CALIFORNIA LIBRARY called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length means Mediant merely musical scale nature notes obvious octave particular perception physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees UNIVERSITY OF CALIFORNIA vibration rate whole words