AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 18
Pagina 164
... language can- not express directly in any case ; for what language gives us directly is only words , conventional symbols , the mean- ing of which is to be found only in concrete non - verbal content . Art in other words presents ...
... language can- not express directly in any case ; for what language gives us directly is only words , conventional symbols , the mean- ing of which is to be found only in concrete non - verbal content . Art in other words presents ...
Pagina 180
David Wight Prall. for example , is too familiarly acquainted with words and language , with sights and sounds and felt experiences ex- pressed by language , to miss the unitary feeling that holds the poem together . And his condemnation ...
David Wight Prall. for example , is too familiarly acquainted with words and language , with sights and sounds and felt experiences ex- pressed by language , to miss the unitary feeling that holds the poem together . And his condemnation ...
Pagina 195
... language and sym- bolism as the sole instruments of knowledge , that so largely turns these instruments into ends and allows us to feel informed and even wise , not to say learned and schol- arly , when an enormous proportion of our ...
... language and sym- bolism as the sole instruments of knowledge , that so largely turns these instruments into ends and allows us to feel informed and even wise , not to say learned and schol- arly , when an enormous proportion of our ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic theory apply apprehended artists asthetic attention basic Berkeley Berkeley blank verse CALIFORNIA LIBRARY called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length means Mediant merely musical scale nature notes obvious octave particular perception physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees UNIVERSITY OF CALIFORNIA vibration rate whole words