AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
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Pagina 27
... least well on into middle age before they achieve their status —can , with a little attention , apprehend them in their full nature . It is a little as if one began mathematics by close attention to Einstein's equations — with a ...
... least well on into middle age before they achieve their status —can , with a little attention , apprehend them in their full nature . It is a little as if one began mathematics by close attention to Einstein's equations — with a ...
Pagina 113
... least one aspect of musical rhythm clearly , so the making out of the strictly temporal aspect of verse as measured and numbered should be a clarification of at least part of what is called verse rhythm . Those who speak of a rhythm of ...
... least one aspect of musical rhythm clearly , so the making out of the strictly temporal aspect of verse as measured and numbered should be a clarification of at least part of what is called verse rhythm . Those who speak of a rhythm of ...
Pagina 125
... least of great im- portance , viz . , abstract temporal pattern itself , in order to make the nature of at least this one aspect plain . As to the count of three instead of two in the first level of the grouping of beats in English ...
... least of great im- portance , viz . , abstract temporal pattern itself , in order to make the nature of at least this one aspect plain . As to the count of three instead of two in the first level of the grouping of beats in English ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic theory apply apprehended artists asthetic attention basic Berkeley Berkeley blank verse CALIFORNIA LIBRARY called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length means Mediant merely musical scale nature notes obvious octave particular perception physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees UNIVERSITY OF CALIFORNIA vibration rate whole words