AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 30
Pagina 36
... length . No color is presented con- cretely without extension . No presented visual surface lacks two spatial dimensions , as no physical object lacks three . But it is not falsification to speak of the length without mentioning the ...
... length . No color is presented con- cretely without extension . No presented visual surface lacks two spatial dimensions , as no physical object lacks three . But it is not falsification to speak of the length without mentioning the ...
Pagina 96
... lengths . Their sort of length is a longer or shorter duration , not a spatial distance . The danger is that language may confuse us on the point . For we use length to refer to space as well as time , just as we may use length to refer ...
... lengths . Their sort of length is a longer or shorter duration , not a spatial distance . The danger is that language may confuse us on the point . For we use length to refer to space as well as time , just as we may use length to refer ...
Pagina 98
... lengths of time involved , their length , that is , in terms of the units of time of our established clocks , it must be their relative lengths , the temporal relations of these lengths to one another . But we can apprehend no particular ...
... lengths of time involved , their length , that is , in terms of the units of time of our established clocks , it must be their relative lengths , the temporal relations of these lengths to one another . But we can apprehend no particular ...
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absolute pitch abstract accent acquaintance actual adequate ęsthetic analysis ęsthetic content ęsthetic objects ęsthetic theory apply apprehended artists asthetic attention basic Berkeley Berkeley blank verse CALIFORNIA LIBRARY called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length means Mediant merely musical scale nature notes obvious octave particular perception physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees UNIVERSITY OF CALIFORNIA vibration rate whole words