AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 17
Pagina 23
... limited by the very abstractions that constitute their foundations . We cannot know everything at once from every conceivable point of view . Quite ob- viously ; for we always have , or are at , some one point of view , physically ...
... limited by the very abstractions that constitute their foundations . We cannot know everything at once from every conceivable point of view . Quite ob- viously ; for we always have , or are at , some one point of view , physically ...
Pagina 32
... limited to its own particular results , as if somehow it ought not to be so limited . The objection arises largely from not realizing either just what analysis is or what it can do , what its limits are and what its aims . In the first ...
... limited to its own particular results , as if somehow it ought not to be so limited . The objection arises largely from not realizing either just what analysis is or what it can do , what its limits are and what its aims . In the first ...
Pagina 59
... limited number of determinate modes or funda- mental patterns on the basis of which works of art have been constructed . Moreover , artists have had to consider many non - ęsthetic aspects of the physical media that are the bearers of ...
... limited number of determinate modes or funda- mental patterns on the basis of which works of art have been constructed . Moreover , artists have had to consider many non - ęsthetic aspects of the physical media that are the bearers of ...
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absolute pitch abstract accent acquaintance actual adequate ęsthetic analysis ęsthetic content ęsthetic objects ęsthetic theory apply apprehended artists asthetic attention basic Berkeley Berkeley blank verse CALIFORNIA LIBRARY called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length means Mediant merely musical scale nature notes obvious octave particular perception physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees UNIVERSITY OF CALIFORNIA vibration rate whole words