AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 16
Pagina 49
... loudness - softness as measured along a single dimension , at one fixed point of which every noise and every sound lies by virtue of its degree of loudness , where also it is heard to lie , if we hear it at all . For color variation the ...
... loudness - softness as measured along a single dimension , at one fixed point of which every noise and every sound lies by virtue of its degree of loudness , where also it is heard to lie , if we hear it at all . For color variation the ...
Pagina 76
... loudness necessary to our hearing either the fundamental or its partials , and to discriminating the intervals so defined ; the duration re- quired for hearing any note at all at any pitch or of any quality or loudness — all these are ...
... loudness necessary to our hearing either the fundamental or its partials , and to discriminating the intervals so defined ; the duration re- quired for hearing any note at all at any pitch or of any quality or loudness — all these are ...
Pagina 200
... loudness , the intensity of color its brightness or its saturation , depending on our choice of color terms . And there is no distinguishable aspect that is the same in loudness of sound and brightness or saturation of color , In fact ...
... loudness , the intensity of color its brightness or its saturation , depending on our choice of color terms . And there is no distinguishable aspect that is the same in loudness of sound and brightness or saturation of color , In fact ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic theory apply apprehended artists asthetic attention basic Berkeley Berkeley blank verse CALIFORNIA LIBRARY called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length means Mediant merely musical scale nature notes obvious octave particular perception physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees UNIVERSITY OF CALIFORNIA vibration rate whole words