AEsthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 55
Pagina 101
Nor have we apparentiy - arir further specified divisions of a measure , or
groupings of measures ; : : : : : dictated by nature . In this our time scale is more
like color scales , where direction is clear but units of distance along dimensions
...
Nor have we apparentiy - arir further specified divisions of a measure , or
groupings of measures ; : : : : : dictated by nature . In this our time scale is more
like color scales , where direction is clear but units of distance along dimensions
...
Pagina 125
What else metre could serve to measure if not rhythmical units , one would be at
a loss to know ; though it is constantly ... if either the metre were the measure of
nothing at all , or what it measured were not an aspect of the rhythm of the verse .
What else metre could serve to measure if not rhythmical units , one would be at
a loss to know ; though it is constantly ... if either the metre were the measure of
nothing at all , or what it measured were not an aspect of the rhythm of the verse .
Pagina 129
Vast amounts of blank verse , infinite numbers of heroic couplets , fall into this
pattern of three measures to the line , each measure divided into halves , and
each half further divided into three counts . The scheme never requires accents
on ...
Vast amounts of blank verse , infinite numbers of heroic couplets , fall into this
pattern of three measures to the line , each measure divided into halves , and
each half further divided into three counts . The scheme never requires accents
on ...
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abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspects attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field formal function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less LIBRARY limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure surface systematic taken temporal pattern things tion Tonic UNIVERSITY OF CALIFORNIA variations various verse vibration whole