AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 52
Pagina 108
... measure with a pattern of subdivision . Some particular measure must be indicated and some subdivision of it , not merely by the notation but to the ear . a But we have already seen that the particular rate of the measures of verse ...
... measure with a pattern of subdivision . Some particular measure must be indicated and some subdivision of it , not merely by the notation but to the ear . a But we have already seen that the particular rate of the measures of verse ...
Pagina 125
... measure of rhythmical pattern . What else metre could serve to measure if not rhythmical units , one would be at a loss to know ; though it is constantly urged that metre and rhythm are quite distinct , as if either the metre were the ...
... measure of rhythmical pattern . What else metre could serve to measure if not rhythmical units , one would be at a loss to know ; though it is constantly urged that metre and rhythm are quite distinct , as if either the metre were the ...
Pagina 129
... measures to the line , each measure divided into halves , and each half fur- ther divided into three counts . The scheme never requires accents on naturally unaccented syllables , because it does not require accent all of the time to ...
... measures to the line , each measure divided into halves , and each half fur- ther divided into three counts . The scheme never requires accents on naturally unaccented syllables , because it does not require accent all of the time to ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic theory apply apprehended artists asthetic attention basic Berkeley Berkeley blank verse CALIFORNIA LIBRARY called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length means Mediant merely musical scale nature notes obvious octave particular perception physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees UNIVERSITY OF CALIFORNIA vibration rate whole words