AEsthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 59
Pagina 39
But if we are to deal with sounds in music , whether to compose or merely to hear
a simple melody , we must grasp pitch relations . The grasp of them at the
minimum appears to be per - ) ception , not conceptual understanding . But the ...
But if we are to deal with sounds in music , whether to compose or merely to hear
a simple melody , we must grasp pitch relations . The grasp of them at the
minimum appears to be per - ) ception , not conceptual understanding . But the ...
Pagina 62
To say that such schemes are merely abstract and logical is only to repeat that
they are intelligible , that they are capable of embracing such determinateness as
all actual knowledge must have in its objects to make them into objects for it at all
...
To say that such schemes are merely abstract and logical is only to repeat that
they are intelligible , that they are capable of embracing such determinateness as
all actual knowledge must have in its objects to make them into objects for it at all
...
Pagina 146
And no one has more vehemently insisted on the low estate of the merely
sensuous than have artists and critics in their efforts to uphold the cause of the
arts on the ground of their essential spirituality . One might gather from what they
say that ...
And no one has more vehemently insisted on the low estate of the merely
sensuous than have artists and critics in their efforts to uphold the cause of the
arts on the ground of their essential spirituality . One might gather from what they
say that ...
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abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspects attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field formal function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less LIBRARY limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure surface systematic taken temporal pattern things tion Tonic UNIVERSITY OF CALIFORNIA variations various verse vibration whole