AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
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Pagina
... musical scale here given or the account of the temporal patterns of verse . The proof was read by Mr. Oscar H. Shaftel and Mr. H. M. Austin , and Mr. Austin prepared the index . Leverett House , Harvard University , Cambridge ...
... musical scale here given or the account of the temporal patterns of verse . The proof was read by Mr. Oscar H. Shaftel and Mr. H. M. Austin , and Mr. Austin prepared the index . Leverett House , Harvard University , Cambridge ...
Pagina 63
... musical scale . What has selected the intervals that constitute this scale is the way in which sound is physically produced . Sounds with clear pitch occur when bodies like strings or columns of air vibrate at certain rates . Any ...
... musical scale . What has selected the intervals that constitute this scale is the way in which sound is physically produced . Sounds with clear pitch occur when bodies like strings or columns of air vibrate at certain rates . Any ...
Pagina 83
... musical scale , it is safe enough to go on to basic patterns in the more regularly recognized kinds of intelligible form . For general æsthetic theory we must limit ourselves here . We can- not in any brief account , even if ...
... musical scale , it is safe enough to go on to basic patterns in the more regularly recognized kinds of intelligible form . For general æsthetic theory we must limit ourselves here . We can- not in any brief account , even if ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic theory apply apprehended artists asthetic attention basic Berkeley Berkeley blank verse CALIFORNIA LIBRARY called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length means Mediant merely musical scale nature notes obvious octave particular perception physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees UNIVERSITY OF CALIFORNIA vibration rate whole words