AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
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Pagina 4
... nature . And no one identifies art and nature . Art taken very broadly is just what is not nature , but is made or done by men ; though it is natural enough , of course , in the sense in which men , and all that they are and do , are ...
... nature . And no one identifies art and nature . Art taken very broadly is just what is not nature , but is made or done by men ; though it is natural enough , of course , in the sense in which men , and all that they are and do , are ...
Pagina 31
... nature itself or by artists , those animate parts of nature who , with significant intent , have been called nature's only legitimate children . And if we wish to mark ourselves off as human and not merely natural , it is as æsthetic ...
... nature itself or by artists , those animate parts of nature who , with significant intent , have been called nature's only legitimate children . And if we wish to mark ourselves off as human and not merely natural , it is as æsthetic ...
Pagina 60
... nature and of all of the arts . But neither nature nor art appears to have developed thus indifferently . It is not preferences , we may suppose , that guide nature . But human preferences them- selves are natural phenomena ; and ...
... nature and of all of the arts . But neither nature nor art appears to have developed thus indifferently . It is not preferences , we may suppose , that guide nature . But human preferences them- selves are natural phenomena ; and ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic theory apply apprehended artists asthetic attention basic Berkeley Berkeley blank verse CALIFORNIA LIBRARY called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length means Mediant merely musical scale nature notes obvious octave particular perception physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees UNIVERSITY OF CALIFORNIA vibration rate whole words