AEsthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 41
Pagina 20
at all , or it is the ęsthetic contemplation of something else , bodily states instead
of the presented object , or remembered or imagined content not unambiguously
determinate in the object . What is given to full , unwandering , vital response ...
at all , or it is the ęsthetic contemplation of something else , bodily states instead
of the presented object , or remembered or imagined content not unambiguously
determinate in the object . What is given to full , unwandering , vital response ...
Pagina 35
We abstract elements simply by choosing details found in the object of our
attention ; these are abstracted from the rest of it . Moreover , there are
distinguishable aspects of objects which cannot be concretely presented alone .
What we call ...
We abstract elements simply by choosing details found in the object of our
attention ; these are abstracted from the rest of it . Moreover , there are
distinguishable aspects of objects which cannot be concretely presented alone .
What we call ...
Pagina 154
But expressed feeling requires as its object what an organism with
consciousness can grasp as distinct and individualized and intended , the formal
fulfillment of feeling , the vagueness and irrelevance gone , the response totally
caught up ...
But expressed feeling requires as its object what an organism with
consciousness can grasp as distinct and individualized and intended , the formal
fulfillment of feeling , the vagueness and irrelevance gone , the response totally
caught up ...
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abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspects attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field formal function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less LIBRARY limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure surface systematic taken temporal pattern things tion Tonic UNIVERSITY OF CALIFORNIA variations various verse vibration whole