AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
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Risultati 1-3 di 43
Pagina 1
... obvious condition of any study to a purpose that some so - called rationalization will label it conveniently . Later it may be more pertinently described in other terms ; as the- ology , if it has any real subject matter at all , will ...
... obvious condition of any study to a purpose that some so - called rationalization will label it conveniently . Later it may be more pertinently described in other terms ; as the- ology , if it has any real subject matter at all , will ...
Pagina 94
... obvious aspects of æsthetic structure and attend- ing to what is of no use or interest , instead of working for- ward from the accepted basis in established conventions and media to complexities and characteristics that need explication ...
... obvious aspects of æsthetic structure and attend- ing to what is of no use or interest , instead of working for- ward from the accepted basis in established conventions and media to complexities and characteristics that need explication ...
Pagina 122
David Wight Prall. of finished verse , but some obvious differences in the temporal duration of syllables in English words , and some of the more obvious requirements made by conventional English accent on particular syllables . The word ...
David Wight Prall. of finished verse , but some obvious differences in the temporal duration of syllables in English words , and some of the more obvious requirements made by conventional English accent on particular syllables . The word ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic theory apply apprehended artists asthetic attention basic Berkeley Berkeley blank verse CALIFORNIA LIBRARY called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length means Mediant merely musical scale nature notes obvious octave particular perception physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees UNIVERSITY OF CALIFORNIA vibration rate whole words