AEsthetic analysis |
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Pagina 66
It is on account of this fact, viz., that this so-called partial or overtone is so large a
part of the sound heard as the fundamental, that we take it as the "same" note "an
octave higher" and name its pitch by the same name, the C an octave above an ...
It is on account of this fact, viz., that this so-called partial or overtone is so large a
part of the sound heard as the fundamental, that we take it as the "same" note "an
octave higher" and name its pitch by the same name, the C an octave above an ...
Pagina 68
The Dominant is the most strongly audible of the partials given in sounding any
note, except just the octave itself. The Dominant is the pitch corresponding to
vibrations of a string as divided into thirds, or, if we choose to put it so, it is the
pitch ...
The Dominant is the most strongly audible of the partials given in sounding any
note, except just the octave itself. The Dominant is the pitch corresponding to
vibrations of a string as divided into thirds, or, if we choose to put it so, it is the
pitch ...
Pagina 71
Let us consider the rate of vibration giving the pitch of the fundamental to be x.
Thus x vibrations per second gives the pitch of the Tonic. The halves of the string
will vibrate at the rate 2x. This rate produces a sound at the pitch called the
octave.
Let us consider the rate of vibration giving the pitch of the fundamental to be x.
Thus x vibrations per second gives the pitch of the Tonic. The halves of the string
will vibrate at the rate 2x. This rate produces a sound at the pitch called the
octave.
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Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate aesthetic analysis aesthetic content aesthetic objects aesthetic theory aestheticians apply apprehended artists attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration elements emotional English poetry exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length loudness means Mediant melody merely musical scale nature notes obvious octave one-two organism particular perception physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific strictly string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words
Informazioni bibliografiche
| Titolo | AEsthetic analysis Apollo editions |
| Autore | David Wight Prall |
| Editore | Thomas, Y. Crowell, 1936 |
| Provenienza dell'originale | la University of California |
| Digitalizzato | 23 gen 2008 |
| Lunghezza | 211 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |