AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 39
Pagina 17
... once and once only in this one serial range , that accounts for the most characteristic feature of the patterns that we call melodies . And any one who fails to distinguish the basic relation , higher - in - pitch - THE FIELD OF ESTHETICS ...
... once and once only in this one serial range , that accounts for the most characteristic feature of the patterns that we call melodies . And any one who fails to distinguish the basic relation , higher - in - pitch - THE FIELD OF ESTHETICS ...
Pagina 24
... once and seeing and under- standing everything from every possible point of view , so that one's object is literally everything in all of its aspects and all its relations , would apparently involve being com- pletely identical with ...
... once and seeing and under- standing everything from every possible point of view , so that one's object is literally everything in all of its aspects and all its relations , would apparently involve being com- pletely identical with ...
Pagina 57
... once to be unambiguous and to serve the pur- poses of the sort of knowledge that we seek by indicat- ing relevant distinctions for æsthetics . No concrete experience is totally æsthetic . No asthetic experience is totally of color or ...
... once to be unambiguous and to serve the pur- poses of the sort of knowledge that we seek by indicat- ing relevant distinctions for æsthetics . No concrete experience is totally æsthetic . No asthetic experience is totally of color or ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic theory apply apprehended artists asthetic attention basic Berkeley Berkeley blank verse CALIFORNIA LIBRARY called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length means Mediant merely musical scale nature notes obvious octave particular perception physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees UNIVERSITY OF CALIFORNIA vibration rate whole words