AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 42
Pagina 107
... one - two , one - two , putting in this simple pattern apparently because it gives the ticking a form or structure that we take as sufficient to characterize it comfortably , to turn it into one simple repeated pattern instead of a mere ...
... one - two , one - two , putting in this simple pattern apparently because it gives the ticking a form or structure that we take as sufficient to characterize it comfortably , to turn it into one simple repeated pattern instead of a mere ...
Pagina 122
... one for the first syllable , two for the second . Not that sions is necessarily held out quite so long as this , but that one does not start another word following ... one- two , one - two would produce an unnatural and 122 ÆSTHETIC ANALYSIS.
... one for the first syllable , two for the second . Not that sions is necessarily held out quite so long as this , but that one does not start another word following ... one- two , one - two would produce an unnatural and 122 ÆSTHETIC ANALYSIS.
Pagina 126
... two ) ( one two ) three - four , or ( one - two , one - two ) , ( one - two , one - two ) , no doubt felt by the author and his juvenile admirers as suggesting Choctaw or American Indian , and hence ap- propriate to the subject in a ...
... two ) ( one two ) three - four , or ( one - two , one - two ) , ( one - two , one - two ) , no doubt felt by the author and his juvenile admirers as suggesting Choctaw or American Indian , and hence ap- propriate to the subject in a ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic theory apply apprehended artists asthetic attention basic Berkeley Berkeley blank verse CALIFORNIA LIBRARY called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length means Mediant merely musical scale nature notes obvious octave particular perception physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees UNIVERSITY OF CALIFORNIA vibration rate whole words