AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 13
Pagina 10
... organism in a response in- volving emotional tone , so long are we experiencing the æsthetic aspect of things . How all this is related to beauty and the arts will become plain enough as we go on . And it is only as we find an adequate ...
... organism in a response in- volving emotional tone , so long are we experiencing the æsthetic aspect of things . How all this is related to beauty and the arts will become plain enough as we go on . And it is only as we find an adequate ...
Pagina 11
... organism in nature , interacting within natural process , that is to say an unanesthetized human being , is one of the conditions without which we never find æsthetic data at all . And an organism isolated totally from external physical ...
... organism in nature , interacting within natural process , that is to say an unanesthetized human being , is one of the conditions without which we never find æsthetic data at all . And an organism isolated totally from external physical ...
Pagina 150
... organism as conscious . The physical organism actively functioning as a whole , and functioning at the same time consciously , is likely to be a cheerful spirit . Discourage- ment is complete only in suicide or at the conclusion of ...
... organism as conscious . The physical organism actively functioning as a whole , and functioning at the same time consciously , is likely to be a cheerful spirit . Discourage- ment is complete only in suicide or at the conclusion of ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic theory apply apprehended artists asthetic attention basic Berkeley Berkeley blank verse CALIFORNIA LIBRARY called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length means Mediant merely musical scale nature notes obvious octave particular perception physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees UNIVERSITY OF CALIFORNIA vibration rate whole words