AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 14
Pagina 9
... perception . And to any conscious perception at all some degree of emotion is requisite , if it \ is no more than the excitement of the attention that brings it to a focus . The concrete object of aesthetic perception is just this ...
... perception . And to any conscious perception at all some degree of emotion is requisite , if it \ is no more than the excitement of the attention that brings it to a focus . The concrete object of aesthetic perception is just this ...
Pagina 47
... pine needles in one direction as some other given odor lies in another ? The directions of variation here are not plain to ordinary perception . As our systematic knowledge of smells and tastes THE BASIS OF ÆSTHETIC ANALYSIS 47.
... pine needles in one direction as some other given odor lies in another ? The directions of variation here are not plain to ordinary perception . As our systematic knowledge of smells and tastes THE BASIS OF ÆSTHETIC ANALYSIS 47.
Pagina 170
... perception and ready sensibilities , that leads to the disrepute into which criticism so char- acteristically falls . Not that criticism is as such useless , but that value judgments , if they are to be made at all , are not æsthetic ...
... perception and ready sensibilities , that leads to the disrepute into which criticism so char- acteristically falls . Not that criticism is as such useless , but that value judgments , if they are to be made at all , are not æsthetic ...
Altre edizioni - Visualizza tutto
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic theory apply apprehended artists asthetic attention basic Berkeley Berkeley blank verse CALIFORNIA LIBRARY called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length means Mediant merely musical scale nature notes obvious octave particular perception physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees UNIVERSITY OF CALIFORNIA vibration rate whole words