AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
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Pagina 30
... phatically present and clearly discernible . Smells and tastes are obviously æsthetic , even though we do not - at least as yet recognize their qualitative orders and relations in a way that allows us to use them structurally with any ...
... phatically present and clearly discernible . Smells and tastes are obviously æsthetic , even though we do not - at least as yet recognize their qualitative orders and relations in a way that allows us to use them structurally with any ...
Pagina 102
... and relaxation will be merely incidental to our apprehension of the purely temporal aspect of the pattern , it will be very em- phatically characteristic of our concrete experience of that pattern . 102 ÆSTHETIC ANALYSIS.
... and relaxation will be merely incidental to our apprehension of the purely temporal aspect of the pattern , it will be very em- phatically characteristic of our concrete experience of that pattern . 102 ÆSTHETIC ANALYSIS.
Pagina 103
David Wight Prall. phatically characteristic of our concrete experience of that pattern . For of necessity the grasp of the pattern varies in definiteness and adequacy with the degree of attention to the precise falling of the point of ...
David Wight Prall. phatically characteristic of our concrete experience of that pattern . For of necessity the grasp of the pattern varies in definiteness and adequacy with the degree of attention to the precise falling of the point of ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic theory apply apprehended artists asthetic attention basic Berkeley Berkeley blank verse CALIFORNIA LIBRARY called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length means Mediant merely musical scale nature notes obvious octave particular perception physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees UNIVERSITY OF CALIFORNIA vibration rate whole words