AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 33
Pagina 74
... pitches marking the intervals of our scale . If is do , % is re , 4 mi , and so through the eight degrees . And the 1 % was for a long time , as we noted above , an equally acceptable alternative to 15 % , which establishes the interval ...
... pitches marking the intervals of our scale . If is do , % is re , 4 mi , and so through the eight degrees . And the 1 % was for a long time , as we noted above , an equally acceptable alternative to 15 % , which establishes the interval ...
Pagina 75
... intervals exclusively would serve the pur- poses of melody and hence of harmony ( any two notes at a given melodic ... pitch intervals , because pitches defining these intervals , or distances apart in pitch , and making up the sound of ...
... intervals exclusively would serve the pur- poses of melody and hence of harmony ( any two notes at a given melodic ... pitch intervals , because pitches defining these intervals , or distances apart in pitch , and making up the sound of ...
Pagina 76
... intervals so defined ; the duration re- quired for hearing any note at all at any pitch or of any quality or ... pitch alone , pitch considered as distinct from timbre or loudness or duration , pitch as points along the serial order of ...
... intervals so defined ; the duration re- quired for hearing any note at all at any pitch or of any quality or ... pitch alone , pitch considered as distinct from timbre or loudness or duration , pitch as points along the serial order of ...
Altre edizioni - Visualizza tutto
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate ęsthetic analysis ęsthetic content ęsthetic objects ęsthetic theory apply apprehended artists asthetic attention basic Berkeley Berkeley blank verse CALIFORNIA LIBRARY called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length means Mediant merely musical scale nature notes obvious octave particular perception physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees UNIVERSITY OF CALIFORNIA vibration rate whole words