AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 26
Pagina 52
... pitch pattern is easily recognizable as an aspect of melodic structure and hence of music . But pictures are not so regularly or so readily apprehended as being color patterns . In fact , in much of what we think of under the term ...
... pitch pattern is easily recognizable as an aspect of melodic structure and hence of music . But pictures are not so regularly or so readily apprehended as being color patterns . In fact , in much of what we think of under the term ...
Pagina 121
... pitch for ears , and so not a difference in æsthetic structure in pitch , so measures of irregularity in time pattern in units of small fractions of a second may occur as the record of a perfectly regular time measure in æsthetic ...
... pitch for ears , and so not a difference in æsthetic structure in pitch , so measures of irregularity in time pattern in units of small fractions of a second may occur as the record of a perfectly regular time measure in æsthetic ...
Pagina 127
... pitch pattern that they constitute is a further element worth a little more time than the bare spoken words . But to sing the song very much more slowly than the words would be spoken is the surest way to lose its own proper effect ...
... pitch pattern that they constitute is a further element worth a little more time than the bare spoken words . But to sing the song very much more slowly than the words would be spoken is the surest way to lose its own proper effect ...
Altre edizioni - Visualizza tutto
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic theory apply apprehended artists asthetic attention basic Berkeley Berkeley blank verse CALIFORNIA LIBRARY called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length means Mediant merely musical scale nature notes obvious octave particular perception physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees UNIVERSITY OF CALIFORNIA vibration rate whole words