AEsthetic Analysis |
Dall'interno del libro
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Pagina 21
sev mes to a point where such response is often appropriate or always possible .
That ęsthetic response is for most of us on most occasions not possible is the
great stumbling block . And this obstacle can be removed in one way and one
way ...
sev mes to a point where such response is often appropriate or always possible .
That ęsthetic response is for most of us on most occasions not possible is the
great stumbling block . And this obstacle can be removed in one way and one
way ...
Pagina 106
Monosyllables are accented or not , but again in accordance with the exigencies
of significance ; though either relatively heavy or relatively light accent is often
possible on the same monosyllable in the same context without offensive
distortion ...
Monosyllables are accented or not , but again in accordance with the exigencies
of significance ; though either relatively heavy or relatively light accent is often
possible on the same monosyllable in the same context without offensive
distortion ...
Pagina 136
We have noticed too that it is only in terms of the abstractly ordered aspects of
sensory content that determinate controlled composition is possible . And it is
consequently ( only in these same terms that a correspondingly relevant and
accurate ...
We have noticed too that it is only in terms of the abstractly ordered aspects of
sensory content that determinate controlled composition is possible . And it is
consequently ( only in these same terms that a correspondingly relevant and
accurate ...
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abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspects attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field formal function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less LIBRARY limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure surface systematic taken temporal pattern things tion Tonic UNIVERSITY OF CALIFORNIA variations various verse vibration whole