AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 30
Pagina 21
David Wight Prall. point where such response is often appropriate or always possible . That ęsthetic response is for most of us on most occa- sions not possible is the great stumbling block . And this obstacle can be removed in one way ...
David Wight Prall. point where such response is often appropriate or always possible . That ęsthetic response is for most of us on most occa- sions not possible is the great stumbling block . And this obstacle can be removed in one way ...
Pagina 106
... possible on the same monosyllable in the same context without offensive distortion of linguistic convention and without danger to sense . Accent , then , is the chief means of indicating temporal measure in Eng- lish verse as well as ...
... possible on the same monosyllable in the same context without offensive distortion of linguistic convention and without danger to sense . Accent , then , is the chief means of indicating temporal measure in Eng- lish verse as well as ...
Pagina 136
... possible . And it is consequently only in these same terms that a correspondingly relevant and accurate apprehension is possible of the structural forms actually given as ęsthetic surfaces . Since , for ex- ample , in the ordered series ...
... possible . And it is consequently only in these same terms that a correspondingly relevant and accurate apprehension is possible of the structural forms actually given as ęsthetic surfaces . Since , for ex- ample , in the ordered series ...
Altre edizioni - Visualizza tutto
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate ęsthetic analysis ęsthetic content ęsthetic objects ęsthetic theory apply apprehended artists asthetic attention basic Berkeley Berkeley blank verse CALIFORNIA LIBRARY called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length means Mediant merely musical scale nature notes obvious octave particular perception physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees UNIVERSITY OF CALIFORNIA vibration rate whole words