AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
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Pagina 9
... present to attention . Something qualitative is thus made out and raised from the stream of the indifferent and undifferen- tiated conscious or semi - conscious into what is distinguish- able as a qualitatively individualized object ...
... present to attention . Something qualitative is thus made out and raised from the stream of the indifferent and undifferen- tiated conscious or semi - conscious into what is distinguish- able as a qualitatively individualized object ...
Pagina 92
... present . The æsthetic is what is present in the medium ap- prehended , and all that needs to be transparent is so much of the constituent structural relations and elements as will put us in a position to grasp the functioning of these ...
... present . The æsthetic is what is present in the medium ap- prehended , and all that needs to be transparent is so much of the constituent structural relations and elements as will put us in a position to grasp the functioning of these ...
Pagina 151
... present at least in imagination to define it , is not love at all , but solely bodily disturbance accompanied by so - called mental or spiritual unrest . This unrest , however , is the vague , incomplete consciousness of the disordered ...
... present at least in imagination to define it , is not love at all , but solely bodily disturbance accompanied by so - called mental or spiritual unrest . This unrest , however , is the vague , incomplete consciousness of the disordered ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic theory apply apprehended artists asthetic attention basic Berkeley Berkeley blank verse CALIFORNIA LIBRARY called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length means Mediant merely musical scale nature notes obvious octave particular perception physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees UNIVERSITY OF CALIFORNIA vibration rate whole words